The unit features six stompbox style buttons to toggle between either preset buttons or stompbox buttons via the MODE button, and an independant tuner button. Without going too much into trying to describe how good the long, long, long list of tones and amps sound, clips and sound samples of the HX sounds can be found on the Line 6 website. Specifications wise, it’s important to break the POD Go Wireless into what it really is: three products.Īs an amp modeller, HX sounds are unparalleled. While obviously designed for the stage, the Line 6 POD Go Wireless also acts as a four input, four output audio interface for recording and re-amping through world class sounds. Like a normal amp, it features an effects loop in and out, and if HX’s cabinet models weren’t enough, you can capture your own Impulse Responses and load them into the amp profiles. The POD Go is designed to be as plug-and-play as possible, allowing for tones to be tweaked and dialled on the fly, as well as on first use. Ready to play are Line 6’s professional-grade HX effects, as found on their HX Stomp and Helix models, as well as a long list of classic amp tones at the push of a button. It features Line 6’s award winning amp and cabinet tones, effects and a Line6 G10TII transmitter to pair with the receiver inbuilt into the unit. The new Line 6 POD Go Wireless combines these two designs into one simple, intuitive, floorboard style design. Line 6 is reliable, forward-thinking and accessible for working musicians and hobbyists alike. Some musicians will think of the G-Series wirelesses, now a staple for live bands all over the globe, their battered and road-tested G50 receivers a badge of honour. Read more amp profiler, modelling and cabinet reviews here. You mention the name and instantly people fondly remember the Line 6 PODs, large, kidney-shaped amp modellers that, at the time, we all thought sounded undoubtedly like a real amp. Line 6 is synonymous with a handful of products.
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